Our understanding of the literature of the concentration camps has for a long time been constrained by certain dominant categories and labels such as “memory” or “testimony”, and alongside them by certain modes of writing, such as documentary realism, memoir or reportage, as the assumed default for recounting the horrors of the Nazi genocides and the appalling gamut of violence of the Lager system 1. 6 On this phase of writing, see notes in ibid., pp. 1449ff.ġ1.5 P. Levi, Se questo è un uomo, in Id., Opere complete, M. Belpoliti ed., Turin, Einaudi, 2017, vol.4 See the catalogue A. Bravo and D. Jalla eds., Una misura onesta: gli scritti di memoria della depo (.).3 D. Rousset, L’univers concentrationnaire, Paris, Éditions du Pavois, 1946.2 On non-realist paradigms for Holocaust representation, see e.g. 1 Influential studies include A. Wieviorka L’ère du témoin, Paris, Plon, 1998 J. Winter, “Notes on (.).
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